comicsworkbook:

THE SANTORO CORRESPONDENCE COURSE
for COMIC BOOK MAKERS presents
the comicsworkbook COMPOSITION COMPETITION 2014
————————————————————————-
1st place  - $500 cash prize to the winner
2nd place - $250 credit at Copacetic Comics 
3rd place  - $100 credit at Copacetic Comics
————————————————————————-
There will also be 4 Honorable Mention awards of $50 credit each from the great people at Big Planet Comics.
————————————————————————-
THE CONTEST:
Create a 16 page signature comic book narrative to the specifications outlined in my Correspondence Course for Comic Book Makers. (see below)
————————————————————————-
DEADLINE: SEPTEMBER 15th 2014
————————————————————————-
Say what?
Ok, ok, here’s the deal. Now that the Xeric grant no longer exists - there aren’t many institutions that offer cash rewards for making a great comic. Hell, even if you get a publishing deal in comics you aren’t guaranteed a cash reward. So, my online school, THE SANTORO CORRESPONDENCE COURSE for COMIC BOOK MAKERS  last year inaugurated an annual COMPOSITION COMPETITION to promote, well, competition amongst makers. This community - the small press comicbookmakers community - is sorely in need of a quest, a challenge, something to aim for on the calendar - like the Xeric grant deadline used provide. So I’m doing it. $500 bucks to the best 16 page signature comic book. Deadline is September 15th - which is the day after SPX . 
Enough people know now that for my Correspondence Course I make all students use a grid to tell their story. I feel that using the grid is an essential step in understanding TIMING in making comic books. If you wanna play like Coltrane, you gotta learn your scales first. You gotta learn the rules before you can break the rules. And even if you are a master this is still a solid way to make comic books. Ask Jaime Hernandez.
Here are the specs: 
11 x 14 inch originals with a 10 x 13 inch live area. Eight (landscape oriented) panel grids for each page. No exceptions. Each panel will be 3.25 x 5 inches. Work may be in color OR black and white - OR - a combination of both. 
International students must use the same specs. No complaining.
Thats 14 pages of story plus two covers. Meaning seven spreads and a front and back cover. A 16 page signature. 
THE STORY MUST BE COMPLETE. SERIAL INSTALLMENTS of a longer narrative ARE NOT ELIGIBLE. Consider this an exercise in short story writing. I think the 16 page signature is ideal to contain a short story.
Photograph or scan your pages and post them on your tumblr AS SPREADS. If you don’t have a tumblr - make one just for this contest. No exceptions! No complaining! Also post the front cover as the lead image and the back cover as the final image. Follow this example by former student of mine and comicsworkbook star Andrew White. (link)
ALSO - please see last year’s round up on how to format your entry. 
Email me - santoroschoolATgmailDOTcom - that you have posted your entry to your tumblr - complete with your name and title of the work in the text field LIKE THIS EXAMPLE - and I will reblog it on to the comicsworkbook site. I will be posting them - reblogging them - on comicsworkbook as they come in. The good, the bad, and the ugly. I will, however, only be posting stories that stick to the RULES. If you don’t follow the rules, I will not reblog the story and you won’t be eligible for the cash prize.
comicsworkbook has over 15,000 followers now - so in theory just entering will help get your work seen and your name out there.
Any questions about the competition - please email me.
Competition is open to all. You do not have to be a former student of mine. Former students of mine ARE eligible to compete - however you must make a NEW 16 page signature. The signature that you made (or started but did not complete) for the course will not be eligible. 
Again, If you have any questions about the rules please ask. Better to ask and be safe than to be mad when I disqualify you over some missed detail. Seriously. Remember - 8 landscape oriented panels of 3.25 x 5 inches each -arranged in a grid - on a 11 x 14 inch page with a 10 x 13 live area. 14 pages - or 7 spreads. One front cover. One back cover. Check out the photo at the top of this post - and again check out Andrew White’s example on how to format your entry.
AGAIN - please see last year’s round up on how to format your entry.
=================================================
******also I STRONGLY suggest that you also post hi res files of your entry on your website and include a link on your tumblr post. Many people complained last year about the difficulty of reading comics formatted as spreads on Tumblr. So please consider posting an easier to read version of your comic on another platform.
Remember! Email me - santoroschoolATgmailDOTcom - that you have posted your entry to your tumblr - I will reblog it.
You may enter as a writer/artist duo.
DEADLINE is Monday September 15th at 11:59 pm EST
Winners will be announced on Saturday Sept 23rdth at noon EST
please reblog this announcement
GOOD LUCK!
COMMONLY ASKED QUESTIONS:
"I was thinking about entering and had a couple of questions. Sorry if the answer to these is super obvious, but I just wanted to make sure! In the template you posted, there aren’t any gutters between the panels; does the comic need to be set up that exact same way, or can it have a bit of a gap in between some of the panels like in the Andrew White example? I noticed some of the panels butt up against each other and some don’t; I think this might cause the panel size vary a tiny bit, so I wanted to know if that would be cool. One last question, this is real media only, correct? No digital art?”
ANSWER: You can have gutters - and you can work digitally. However I still want you to draw it at 11 x 14 - don’t draw large and shrink it down - ideally you are drawing panels that are roughly 3.25 x 5 inches on the screen…
PLEASE SEE LAST YEAR’S ROUND UP (link)


ROUND TWO!

comicsworkbook:

THE SANTORO CORRESPONDENCE COURSE

for COMIC BOOK MAKERS presents

the comicsworkbook COMPOSITION COMPETITION 2014

————————————————————————-

1st place  - $500 cash prize to the winner

2nd place - $250 credit at Copacetic Comics 

3rd place  - $100 credit at Copacetic Comics

————————————————————————-

There will also be 4 Honorable Mention awards of $50 credit each from the great people at Big Planet Comics.

————————————————————————-

THE CONTEST:

Create a 16 page signature comic book narrative to the specifications outlined in my Correspondence Course for Comic Book Makers. (see below)

————————————————————————-

DEADLINE: SEPTEMBER 15th 2014

————————————————————————-

Say what?

Ok, ok, here’s the deal. Now that the Xeric grant no longer exists - there aren’t many institutions that offer cash rewards for making a great comic. Hell, even if you get a publishing deal in comics you aren’t guaranteed a cash reward. So, my online school, THE SANTORO CORRESPONDENCE COURSE for COMIC BOOK MAKERS  last year inaugurated an annual COMPOSITION COMPETITION to promote, well, competition amongst makers. This community - the small press comicbookmakers community - is sorely in need of a quest, a challenge, something to aim for on the calendar - like the Xeric grant deadline used provide. So I’m doing it. $500 bucks to the best 16 page signature comic book. Deadline is September 15th - which is the day after SPX 

Enough people know now that for my Correspondence Course I make all students use a grid to tell their story. I feel that using the grid is an essential step in understanding TIMING in making comic books. If you wanna play like Coltrane, you gotta learn your scales first. You gotta learn the rules before you can break the rules. And even if you are a master this is still a solid way to make comic books. Ask Jaime Hernandez.

Here are the specs: 

11 x 14 inch originals with a 10 x 13 inch live area. Eight (landscape oriented) panel grids for each page. No exceptions. Each panel will be 3.25 x 5 inches. Work may be in color OR black and white - OR - a combination of both. 

International students must use the same specs. No complaining.

Thats 14 pages of story plus two covers. Meaning seven spreads and a front and back cover. A 16 page signature. 

THE STORY MUST BE COMPLETE. SERIAL INSTALLMENTS of a longer narrative ARE NOT ELIGIBLE. Consider this an exercise in short story writing. I think the 16 page signature is ideal to contain a short story.

Photograph or scan your pages and post them on your tumblr AS SPREADS. If you don’t have a tumblr - make one just for this contest. No exceptions! No complaining! Also post the front cover as the lead image and the back cover as the final image. Follow this example by former student of mine and comicsworkbook star Andrew White. (link)

ALSO - please see last year’s round up on how to format your entry. 

Email me - santoroschoolATgmailDOTcom - that you have posted your entry to your tumblr - complete with your name and title of the work in the text field LIKE THIS EXAMPLE - and I will reblog it on to the comicsworkbook site. I will be posting them - reblogging them - on comicsworkbook as they come in. The good, the bad, and the ugly. I will, however, only be posting stories that stick to the RULES. If you don’t follow the rules, I will not reblog the story and you won’t be eligible for the cash prize.

comicsworkbook has over 15,000 followers now - so in theory just entering will help get your work seen and your name out there.

Any questions about the competition - please email me.

Competition is open to all. You do not have to be a former student of mine. Former students of mine ARE eligible to compete - however you must make a NEW 16 page signature. The signature that you made (or started but did not complete) for the course will not be eligible. 

Again, If you have any questions about the rules please ask. Better to ask and be safe than to be mad when I disqualify you over some missed detail. Seriously. Remember - 8 landscape oriented panels of 3.25 x 5 inches each -arranged in a grid - on a 11 x 14 inch page with a 10 x 13 live area. 14 pages - or 7 spreads. One front cover. One back cover. Check out the photo at the top of this post - and again check out Andrew White’s example on how to format your entry.

AGAIN - please see last year’s round up on how to format your entry.

=================================================

******also I STRONGLY suggest that you also post hi res files of your entry on your website and include a link on your tumblr post. Many people complained last year about the difficulty of reading comics formatted as spreads on Tumblr. So please consider posting an easier to read version of your comic on another platform.

Remember! Email me - santoroschoolATgmailDOTcom - that you have posted your entry to your tumblr - I will reblog it.

You may enter as a writer/artist duo.

DEADLINE is Monday September 15th at 11:59 pm EST

Winners will be announced on Saturday Sept 23rdth at noon EST

please reblog this announcement

GOOD LUCK!

COMMONLY ASKED QUESTIONS:

"I was thinking about entering and had a couple of questions. Sorry if the answer to these is super obvious, but I just wanted to make sure! In the template you posted, there aren’t any gutters between the panels; does the comic need to be set up that exact same way, or can it have a bit of a gap in between some of the panels like in the Andrew White example? I noticed some of the panels butt up against each other and some don’t; I think this might cause the panel size vary a tiny bit, so I wanted to know if that would be cool. One last question, this is real media only, correct? No digital art?”

ANSWER: You can have gutters - and you can work digitally. However I still want you to draw it at 11 x 14 - don’t draw large and shrink it down - ideally you are drawing panels that are roughly 3.25 x 5 inches on the screen…

PLEASE SEE LAST YEAR’S ROUND UP (link)

ROUND TWO!

comicsworkbook:

The Pbox Bibliography

June 13th, 2014 by Dan Nadel

I put together a little bibliography of PictureBox. Those interested in some background could do no better than Trinie Dalton’s lovely article at The Brooklyn Rail. Otherwise, correct me if anything looks funny, but here’s the list:

Take a look at this list.  Dan Nadel may have had the highest slugging percentage in the majors, during his career with PictureBox.  Kudos! 

Ninja by Brian Chippendale - with (pretty great) original drawing / painting!

We just purchased a cool collection filled with rare and one-of-a-kind items.   We’ll be putting more up, but we wanted to start out with this one to get your attention.  

 

MORE GOOFY OLD COMICS CHEAP

While we’re at it, here’s a look at some other lots up on eBay; this time of  piles of old comic books for cheap summer reading (or art projects - you decide!).  The price on most of these lots is in the neighborhood of $1 per book – with FREE SHIPPING.  See them all here:  http://www.ebay.com/sch/copaceticcomicscompany/m.html?item=141306910124&ViewItem=&rt=nc&_trksid=p2047675.l2562

Powr Mastrs 1 (with drawing)

OK, we’re trying an experiment here.  We just listed a copy of the first volume of Powr Mastrs on eBay that includes and original drawing by C.F. on the copyright page (see photo above), and we were advised that it might be a good idea to post this fact on Tumblr, and so now we have.  Here’s the auction link:  http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=141306910124

Hip Hop Family Tree FCBD “Two-In-One” still free, at Copacetic.
Anyone who missed this now has a reprieve, as we will continue to give these away as long as our supply lasts, at the shop and online.

Hip Hop Family Tree FCBD “Two-In-One” still free, at Copacetic.

Anyone who missed this now has a reprieve, as we will continue to give these away as long as our supply lasts, at the shop and online.

comicsworkbook:

The Abyssal Yawn #1

by Bill Wehman and Ed Steck

Hot off the press, it’s the latest Made-in-Pittsburgh release! This full color 32 page comic book sports a card stock cover and is printed on high grade glossy stock throughout. These heavy duty production measures were necessary to carry the weighty concepts that are herein delivered. The Abyssal Yawn is a far-flung multi-dimensional science fiction tale in the tradition of Jack Kirby and Jim Starlin – think the Silver Surfer and Warlock – that took a detour through the meta-comics dimensions of Fort Thunder and navigated the Kramers Ergot force field with the aid of contemporary post-modern literary techniques and a bit of gage. This unique comic book blend has been made available in a print run of a mere 300 copies. Like anything this far off the beaten path, it’s going to take some time for the comics market to catch wind of it, but once it does, these won’t be around long – so make sure to check it out while you still can. You can see more of Wehmann’s work, and watch The Abyssal Yawn come together (albeit in reverse, as you scroll down) at the Pacific Reverb Society Tumblr.

-Bill Boichel

The Abyssal Yawn #1
Bill Wehmann, Ed Steck


Hot off the press, it’s the latest Made-in-Pittsburgh release!  This full color 32 page comic book sports a card stock cover and is printed on high grade glossy stock throughout.  These heavy duty production measures were necessary to carry the weighty concepts that are herein delivered.  The Abyssal Yawn is a far-flung multi-dimensional science fiction tale in the tradition of Jack Kirby and Jim Starlin – think the Silver Surfer and Warlock – that took a detour through the meta-comics dimensions of Fort Thunder and navigated the Kramers Ergot force field with the aid of contemporary post-modern literary techniques and a bit of gage.  This unique comic book blend has been made available in a print run of a mere 300 copies.  Like anything this far off the beaten path, it’s going to take some time for the comics market to catch wind of it, but once it does, these won’t be around long – so make sure to check it out while you still can.  You can see more of Wehmann’s work, and watch The Abyssal Yawn come together (albeit in reverse, as you scroll down) at the Pacific Reverb Society Tumblr.

Now available at Copacetic:  http://www.copaceticcomics.com/comics/the-abyssal-yawn-1

The Abyssal Yawn #1
Bill Wehmann, Ed Steck


Hot off the press, it’s the latest Made-in-Pittsburgh release! This full color 32 page comic book sports a card stock cover and is printed on high grade glossy stock throughout. These heavy duty production measures were necessary to carry the weighty concepts that are herein delivered. The Abyssal Yawn is a far-flung multi-dimensional science fiction tale in the tradition of Jack Kirby and Jim Starlin – think the Silver Surfer and Warlock – that took a detour through the meta-comics dimensions of Fort Thunder and navigated the Kramers Ergot force field with the aid of contemporary post-modern literary techniques and a bit of gage. This unique comic book blend has been made available in a print run of a mere 300 copies. Like anything this far off the beaten path, it’s going to take some time for the comics market to catch wind of it, but once it does, these won’t be around long – so make sure to check it out while you still can. You can see more of Wehmann’s work, and watch The Abyssal Yawn come together (albeit in reverse, as you scroll down) at the Pacific Reverb Society Tumblr.

Now available at Copacetic: http://www.copaceticcomics.com/comics/the-abyssal-yawn-1

This coming Saturday, March 22:  PIX: The Pittsburgh Indy Comix Expo

This coming Saturday, March 22: PIX: The Pittsburgh Indy Comix Expo

drawingpower:

Jeremy Baum’s mind-boggling new poster celebrating the amazing guest line-up at PIX 2014!



Also, FYI:  PIX 2014 is a FREE EVENT; there is NO admission charge (donations to The ToonSeum will be accepted).

drawingpower:

Jeremy Baum’s mind-boggling new poster celebrating the amazing guest line-up at PIX 2014!

Also, FYI: PIX 2014 is a FREE EVENT; there is NO admission charge (donations to The ToonSeum will be accepted).